Tutors: Samuel Esses, Aurore Julien, Olivia Riddle, Sara Shafiei.
As evolving architectural, structural and environmental designers, our students develop skills that fundamentally respond to the challenges we face in the early part of the 21st century. Within their work, students are invited to speculate on the potential of creative expression across all three disciplines, challenging normative practices by positing unique and integrated research vehicles.
This year commenced with a focus on the work of Olafur Eliasson, an acclaimed environmental artist whose visually rich experiments explore intangible or ephemeral conditions within structural apparatus. In term one, students were invited to explore their own experiments in relation to an introductory site at Limmo Peninsula Ecology Park in east London. 1:1 devices were evolved to expose or record an atmospheric or environmental condition or change of state.
Our field trip to Marrakech extended this conversation between environment and site with students forming an appreciation of traditional and sustainable environmental design and other necessary protections from the harsh Moroccan climate. Self-directed programmes have been developed to respond to a range of sites in the Medina. Relating to this unique cultural and environmental context, students were able to further explore the relationship between climate, building fabric and structural approaches.
The proposal is an innovative strategy for an urban social agriculture experience in the heart of the ancient Medina of Marrakech, providing a safe and inspiring hub for community interaction. Adaptation for a small site results in six tall interlocking structures and a not-so-secret garden.
The environmental approach explores the potential of the microclimatic effects of water and vegetation in a region designated as ‘water scarce’.
This project proposes a zellige workshop and training centre in Marrakech. A vaulted shell is choreographed against strategic underground landscaping to allow the roof to be experienced from everywhere within the building.
Rafael Guastavino’s vaulting method is followed closely, with the zellige tiles used as a structural form in addition to their traditional aesthetic value.
Situated in the Medina, the programme aims to give the site back to local communities. A lifted canopy functions as a children’s playground, whilst the garden underneath is used as a leisure space for the elderly. The canopy is optimised environmentally to provide visual and thermal comfort below.
This project proposes a sequence of integrated gardens and studio spaces to facilitate wool processing and dying. Five specific flowers grown in the gardens are harvested, processed and used in the dying of wool. An invisible urban grid informs the spatial organisation resulting in two interconnected buildings.
Environmental studies of the site’s sunlight exposure informs the placement of each flower within the landscape in an effort to optimise growing potential.
In response to the lack of spaces for children in the Medina, the proposal is a kindergarten for children aged two to seven years old. Play and learning spaces are designed to suit the different scales of adults and children. Activities are curated according to the children’s age groups.
Inspired by local weaving techniques, a timber frame lattice roof system overhangs external play spaces to provide thermal comfort. Openings in the roof are configured through daylight analysis to provide optimal internal light conditions for learning spaces.