The Bartlett
School of Architecture
Summer Show 2020
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Reflooding an East Anglian Salt Marsh

Project details

Student Benjamin Sykes-Thompson
Programme
Unit PG12
Year 4
Awards
  • History and Theory Prize

The exit of Britain from the EU and the proposed shift to the new Environmental Land Management Scheme has allowed the UK to rewrite subsidies and propose an ambitious new direction. It seeks to redefine the nation's relationship with the landscape: one of ‘environmental value’ and ‘stewardship’.


Small insertions, dwarfed in size by the expanse they form, serve to breach existing sea walls and curate tidal flows, mediating a new landscape within.


Inviting the tide, not just to the ‘controlled’ environment behind the sea wall, but also beyond that of the architectural, results in four pavilions whose internal climate, form and voice force a conversation on the visitor. This conversation is realised through the careful tuning of structure and architectural components, with standard methods of vibrational dampening, erosion prevention or thermal isolation rejected.


As the landscape is reflooded, the structures aim to establish a new architectural norm: one where natural forces are not held behind embanked walls, but are instead permitted to converse with the internal, with tide and tourist collaborating to realise an architectural design.


They hum, drift or moisten, marking the tide and reframe society's relationship to a changing coast as the stewards of the environment.

The 'Steeping' Tearoom

The ‘steeping’ tearoom mediates the warmth of the body and the steaming cup of the tea-drinker with the chill of the sea, inducing condensation to form on specific steel members and mark the high tide. 

The 'Humming' Rest Stop

The ‘humming’ rest stop is bowed in the flowing tidal currents, and ‘hums’ to give voice to the speechless tide. Passing through enroute to sea or sandy beach, the visitors weight dampens structural vibrations - intersecting the constant grinding note of sea with short intervals of silence. The Reststop aurally expresses the presence of both tourists and tide, and renders them equal where they meet.

Foundations morph and drift in response to the eroding tide, and architectural features are rebuilt every winter beneath the same roof. The summer day-tripper is greeted every season by a station that has moved in response to a year of tidal erosion.

Hum, Drift, Moisten

How could a building nurture the temperature of a sea and regulate that process? How could a structure use the wind to strengthen its structural foundations rather than weaken?

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