“Belonging almost always involve(s) diverse forms of mobility. So people dwell ‘in and through being at home and away, through the dialectic of roots and routes’.”
Responding to the PG15 brief ‘dwell’, the project explores the dual meaning of ‘home’, which can be both familiar and foreign. The project constructs a territory that transcends national boundaries. Moving from Malaysia to the UK is compared to the psychological curve of cultural adaptation, where the building is designed to have spatial qualities that reflect the users’ adaptation to a foreign place. Malaysians are studied as one of the foreign communities that possesses a growing influence within London, their own ethnic diversity challenging even further the notion of ‘belonging’.
The spatial arrangement references unique traits implied by the Malay term rumah, which could mean ‘house’ but also ‘space in a house'. With this blurred definition of in and out, the project is not only inward looking, curing homesickness and ensuring familiarity, but also exposes users to new contexts. The interior is designed to emphasise the moment of appreciating London from a Malaysian perspective, such as the moment they first see snow in their courtyard.
Quote: Savage, M. et. al. (2005)Globalization and Belonging, London: Sage Publications.
The project starts from an exploration of the ethnic diversity of Malaysia through designing a dining experience which considers the habits and etiquette of different communities.
By including details to accommodate varied needs, the design of the table reflects the nature of being in a place to forge closer relationships while adapting to a new environment.
Constructing an undefined land that transcends national borders, similar to the curve of cultural adaptation that slowly adjusts the users to the new context of London
Spatial exploration involving reducing solid walls to screens and columns. This exposes interior spaces to the weather and refers to the traits found in Malaysian vernacular architecture.
The design of the space references the design of benches, reflecting the spatial quality of rumah, where one space is contained in another space by altering the scale.