The Bartlett
School of Architecture
Summer Show 2020
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Sweat, Pant, Blush: Three Houses of Three Tomorrows

Project details

Student Samuel Davies
Programme
Unit PG16
Year 5
Awards
  • Distinction
  • Sir Andrew Taylor Prize
  • RIBA Silver Medal Winner

The project is interested in the house as a mediator between bodies and the environment. The project explores the social and architectural stigmas that surround the notion of ‘comfort.’


In response to the professional drive towards technological optimisation to reduce domestic emissions, the project contends that comfort cannot be isolated purely as a physiological requirement. Rather, it must be considered in relation to its cultural and social context. Any attempts to amend the ways people make themselves comfortable must simultaneously seek to amend relationships with everyday domestic spaces and objects.


Drawing from the local history of experimental ‘Houses of Tomorrow’, a cul-de-sac of three houses is proposed at the edge of Palm Springs. Each house captures an alternative, future view of the home: the primitivist, the technological optimist and the comfort skeptic. Everyday domestic conventions are dismantled to suit individual attitudes to comfort in the context of the desert climate. This exposes the power of these conventions in determining an understanding of what is comfortable and safe. A definitive solution to the issue of climate change and the home is intentionally avoided. Instead, multiple futures hold the architect responsible for new ideas about what it means to be ‘at home.’

Half Duct, Half Body

Architectural characters are articulated to become half ductwork, half body. Like the puffed cheeks of the wind on old maps, they take responsibility for the thermal conditions they provide.

The Primitivist: Panting House

A metal tongue marks the wind's path through the house. Traditional measures of environmental control are placed figuratively in the occupant’s imagination.

The Comfort Sceptic: A Chair to Sweat In

The skeptic rejects the association of comfort with the home. The chair places the sitter in confrontation with the sun and wind is drawn across perspiring skin, celebrating the feeling of heat.

The Technological Optimist: Rocking the Chair

The optimist’s house forms an exaggerated allegory for technologically assisted lifestyles. The occupant sits angled to the sky, motionless, while the building does the rocking for him.

Mexican Stand Off

A confrontation between three attitudes towards comfort in which no strategy exists that allows any party to win. The drawing frames the overlaps and tensions between attitudes.

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