The project began with a fascination for the body and its scalar relationship to the urban world. How might the body meet the city halfway? Touch is employed in this endeavour as it asks for a level of reciprocity. If the worlds created on a body could record the places in which it had been – like Jorge Luis Borges' notion of the map – it would in one moment be both the immediate condition and its expansion.

Creating an ecology within clothing, is it possible to invoke the imaginative agency of nature?

A jacket is constructed to anticipate a journey and to confiscate objects. With the places and landscapes it passes, it is a memory theatre. What is the nature of humanity's relationship with inanimate inhuman objects? Textiles are here explored as both figure and metaphor.

Tailoring as a technique was turned to making a building. Ways of creating drapes were translated to cold forming steel. When the body then does not exist, the material’s behaviour becomes very present. The form of the building's skin was found in conjunction with employing fabric and the construction techniques.