From the beginning of the year the project considered how artefacts are given memories. People's interaction with objects or memories are not two dimensional or still interactions. Investigations began by considering how photographic means can be used to capture an object in a way that draws out these experiences. Slit-scanning was used to permit a discussion about spacial and temporal interactions between object and person.

Being interested in the association between effort and value regarding the projection of the sentimental onto artefacts, the project became concerned with the labour of making, with every element of the testing apparatus handcrafted. The more effort put into crafting a piece, the greater the value of the experiments.

Lockdown led to a focus on stereoscopic photography. The ambition was to use the artefacts in conjunction with linear rails to create a discussion between multiple different focal distances. A proposal was made to reinstate an abandoned railway line, so that a stereoscopic train may travel along and offer up stereoscopic views of the scenery. By introducing more than one point of view, new discoveries can be made.