The Bartlett
School of Architecture
Summer Show 2020
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21st-Century Pleasure Garden

Project details

Student Sut (Eunice) Lo
Programme
Unit UG4
Year 3

Speculating leftover sites and fractured architecture through disrupting restricted sites within the City of Westminster, the '21st-Century Pleasure Garden' is an elevated escape reminiscent of historic entertainment centres in the city.


Situated at 19 to 35 Baker Street, Marylebone with an abundance of historic townhouses and low-rise developments, the close building proximities on all four sides has resulted in a radical building strategy for maximising the potential of the new entertainment centre.


Glass is utilised as a building material and as an architectural infill to create transparency and weightlessness throughout the building. Through analysis on the Japanese craft kintsugi (craft of celebrating imperfection in broken objects) and applying it to stained glass preservation, the 21st-Century Pleasure Garden becomes an embodiment of contemporary entertainment, accessible yet unobstructed on the ground plane.


Defining London’s nightlife in the 18th to 19th century, the project examines merging historic entertainment rituals with modern programmes: a skate park, bowling alleys, a casino cluster, bar and sky garden are elevated through delicate steel curved columns, glimmering into the office, residential and public space.

Technical Investigation: Experiencing Glass

The fractography of glass was investigated in detail through a series of physical and digital tests to create different levels of infill and transparency within glass.

Casino

18th-century slot machines sit in individual concrete pods embedded within a frosted glass floor. The space is kept open, while privacy is also achieved through the use of frosted glass.

Ground Plane

The sculptural slabs showcase the building's functions and hint at pleasure.

Section

The programme, materiality and atmosphere of this project combine together to recreate a night scene reminiscent of 18th-century London.

Wabi-Sabi: Imperfect, Impermanent, Incomplete

This project combines the crafts of kintsugi and stained glass preservation. It recreates layers of broken objects with the aim of highlighting the cracks and imperfection in between the layers.

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